![]() While it is not a common style in fiction writing, it is rampant in non-fiction such as self-help books. ![]() Pronouns ‘you’ and ‘your’ describe the main character. As such, a writer is not narrating from his/her perspective. It is more personal for the readers as they feel the narrator talking to them. Second Person: Second person POV is a rarely used narrative technique because it draws the readers into the story.Truly, it is one of the easiest points of view, but it is limited because it is character-driven. The character does not necessarily have to be a protagonist they could also be an antagonist. This technique builds intrigue, expresses an opinion and gives the story credibility. This POV frequently used in fiction writing uses the personal pronouns I, me, we, and us for the main character. The narrator is involved, as he/she is telling their experience. First Person: When narrating a story from the first-person perspective, the writer is writing as the main character.Imagine reading a self-help book that does not directly address you as a reader! That defeats the point of the book because its message will not feel personal to you.ĭespite establishing the value POV gives to writing, you will still find yourself pondering the question: how do I know the relevant one to use in narrating my story? The answer lies in knowing the types of POV. Selecting the appropriate POV is important because it will help you tell your story accurately and make your readers understand the characters better. ![]() The writer’s decision helps to determine the angle to write from. Establishing your credibility and gaining the readers’ trust is crucial to every writer that is why understanding Point Of View (POV) is necessary. With the narrator's description of Patrick, " did his best impersonation of being surprised," and the narrator's personal commentary, "which was nice of him," the reader sees a bit of both Patrick and the narrator: Patrick is a nice person, which is something that others are acutely aware of.Point of View in writing tells the reader who is narrating the story. When an author uses a first-person narrator, the characterization is limited to what the narrator can experience, either within his/her own head or direct interaction with other characters. This down-to-earth voice is reflected in the way that the characters are described with sentences such as, "Sam's mom is very pretty and tells great jokes" and "Patrick's dad is very tall and has a great handshake." It is also important to note that the "voice" in the passage is the first-person narrator. In this passage by Stephen Chbosky, the voice is down-to-earth, one that a reader can really engage with. The characterization is also linked to an author's choice of narrator. ![]() This voice is intimately linked to characterization, the process of conveying information about a character. Creation of voice in a piece of literature is intimately connected to the tone of the piece.Įvery piece of literature you read has a voice, an overall presence of a personality behind the text. ![]() Formal, sophisticated language would match a proud or respectful tone better than a tentative tone while the inclusion of humorous language would likely match a mocking or agreeable tone over a polite tone. These together, in addition, help to indicate the author's attitude toward the subject matter. Voice in a work of literature is created predominantly by word choice, imagery, and choice of details. For example, a passage with a down-to-earth, personable voice would not match a tone that is boastful or condescending. The voice of the text determines the range of attitudes that a text can effectively express that is, the tones that are expressed must be consistent with the overall voice of a text. This voice affects the tone, which is the attitude that the author, narrator, or speaker has toward the subject or reader. Every piece of literature you read has a voice, an overall presence of a personality behind the text. ![]()
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